Julia Soto Delgado -Technical University of Vienna
Since Tudi God is an old friendly man considered a god with the function of a mediator between the gods, the ghosts and the living. The idea of being in between two worlds was fascinating and is clearly implemented in this design.
由於和藹可親的土地公爺爺一直以來即被視為神、鬼、人之間具調節功能的溝通者；這介於二個世界間的迷人想法清楚的呈現在此設計中。
By analyzing the surrounding district and the formerly built temples for Tudi Gong it seems obvious to use big roof structure to provide as much weatherproof areas as possible for communal celebrations and activities. With all the changes happening specifically in this area, it is necessary to reinterpret a traditional proven and trusted form. By adopting the big roofscape of the surrounding the new temple integrates in the urbanistic area and acts as mediator between the existing city structure and the newly built parkland and sewage works and gives the community a new meeting point with an unforgettable atmosphere.
透過對周遭區域以及土地公廟建築型態的分析，大型屋頂結構的利用很明顯的可以為社區在慶典和活動時提供最大遮風避雨之可能性。然而，針對在這個區域所發生的種種變化，設計者有必要重新詮釋一個具傳統且可信的形式。藉由採用大型屋頂地景 (roofscape)，新的土地功廟在融入都市化地區的同時，成為既有城市結構、新建公共綠地，和污水處理場之間的溝通媒介，並可為社區提供一個具難忘氛圍的新會面點。
The landscape created in the new park area is reinterpreted in an upside-down way. By using bamboo sticks in different lengths, spectacular spaces are created and traditional elements such as most of the walls could be omitted and creates an open space with exceptional qualities. The landscape-creating elements are suspended from the roof structure and therefore create flowing spaces, inviting to explore this sacral place offering very scenic perspectives.
新園區創造出的景觀以倒置的方式被重新詮釋。透過採用長度各異的竹節，並減少傳統牆面的元素，壯觀和高品質的開放空間因此而被創造。景觀產生之元素是從屋頂結構懸掛，從而產生流動的空間，邀請人們探索這個神聖的地方，並提供非常優美的景觀。
On the one hand the bamboo grid allows surprising views through the entire building but also acts as a thick opaque volume depending on the viewpoint within the structure. The two landscapes approximate and repel each other and therefore create a tense and exciting inbetween.
透過不同的視角，竹網格一方面提供穿越整體建築的驚奇視野，另一方面也時而成為一座厚實而不透明的量體。兩種不同的景觀雖近似卻互為相反，於此其間張力和令人興奮的效果油然而生。
This juxtaposition of the floorplan-landscape and the hanging roof-landscape take in different functions, while the level above grade are used for specific use by the community and employees, the level above below grade is not only an atmospheric space but also a symbolic space for the gods and ghosts to inhabit.
並置的地面層地景和懸掛的屋頂地景具有不同的功能：上層由社區和員工專用，下層則不僅是一個氛圍獨特的空間，同時也是一處讓神和鬼居住的、象徵性的空間。
Bamboo as a naturally grown material is used to symbolize the transcendent gods and ghosts, where humans are neither involved in the use of this landscape nor in the production itself of the material. Whereas concrete is an artificial stone made by humans and their elaborated technology, therefore this is the space for them to use. Concrete as a material can be given any form and is very accurate and in this case is the counterpart to the organic forms of the roofscape.
竹子為自然生長的材料，因此在此設計中象徵著超自然的神和鬼；人類既不涉入使用這種景觀，也未涉入竹材的生產。混凝土是由人類以其精巧技術製成的人造石，因此這是讓人們使用的空間。混凝土作為材料可以精確得產生出任何形式，於此，它是對應於屋頂地景的有機形式。
Since Tudi God is an old friendly man considered a god with the function of a mediator between the gods, the ghosts and the living. The idea of being in between two worlds was fascinating and is clearly implemented in this design.
由於和藹可親的土地公爺爺一直以來即被視為神、鬼、人之間具調節功能的溝通者；這介於二個世界間的迷人想法清楚的呈現在此設計中。
By analyzing the surrounding district and the formerly built temples for Tudi Gong it seems obvious to use big roof structure to provide as much weatherproof areas as possible for communal celebrations and activities. With all the changes happening specifically in this area, it is necessary to reinterpret a traditional proven and trusted form. By adopting the big roofscape of the surrounding the new temple integrates in the urbanistic area and acts as mediator between the existing city structure and the newly built parkland and sewage works and gives the community a new meeting point with an unforgettable atmosphere.
透過對周遭區域以及土地公廟建築型態的分析，大型屋頂結構的利用很明顯的可以為社區在慶典和活動時提供最大遮風避雨之可能性。然而，針對在這個區域所發生的種種變化，設計者有必要重新詮釋一個具傳統且可信的形式。藉由採用大型屋頂地景 (roofscape)，新的土地功廟在融入都市化地區的同時，成為既有城市結構、新建公共綠地，和污水處理場之間的溝通媒介，並可為社區提供一個具難忘氛圍的新會面點。
The landscape created in the new park area is reinterpreted in an upside-down way. By using bamboo sticks in different lengths, spectacular spaces are created and traditional elements such as most of the walls could be omitted and creates an open space with exceptional qualities. The landscape-creating elements are suspended from the roof structure and therefore create flowing spaces, inviting to explore this sacral place offering very scenic perspectives.
新園區創造出的景觀以倒置的方式被重新詮釋。透過採用長度各異的竹節，並減少傳統牆面的元素，壯觀和高品質的開放空間因此而被創造。景觀產生之元素是從屋頂結構懸掛，從而產生流動的空間，邀請人們探索這個神聖的地方，並提供非常優美的景觀。
On the one hand the bamboo grid allows surprising views through the entire building but also acts as a thick opaque volume depending on the viewpoint within the structure. The two landscapes approximate and repel each other and therefore create a tense and exciting inbetween.
透過不同的視角，竹網格一方面提供穿越整體建築的驚奇視野，另一方面也時而成為一座厚實而不透明的量體。兩種不同的景觀雖近似卻互為相反，於此其間張力和令人興奮的效果油然而生。
This juxtaposition of the floorplan-landscape and the hanging roof-landscape take in different functions, while the level above grade are used for specific use by the community and employees, the level above below grade is not only an atmospheric space but also a symbolic space for the gods and ghosts to inhabit.
並置的地面層地景和懸掛的屋頂地景具有不同的功能：上層由社區和員工專用，下層則不僅是一個氛圍獨特的空間，同時也是一處讓神和鬼居住的、象徵性的空間。
Bamboo as a naturally grown material is used to symbolize the transcendent gods and ghosts, where humans are neither involved in the use of this landscape nor in the production itself of the material. Whereas concrete is an artificial stone made by humans and their elaborated technology, therefore this is the space for them to use. Concrete as a material can be given any form and is very accurate and in this case is the counterpart to the organic forms of the roofscape.
竹子為自然生長的材料，因此在此設計中象徵著超自然的神和鬼；人類既不涉入使用這種景觀，也未涉入竹材的生產。混凝土是由人類以其精巧技術製成的人造石，因此這是讓人們使用的空間。混凝土作為材料可以精確得產生出任何形式，於此，它是對應於屋頂地景的有機形式。